The Beachcomber in Quincy, Massachusetts is the place that I would hang out regularly if I lived nearby. The clientele is all flat cappers and tattooed punks of a wide assortment of ages and ethnicities, the food is standard bar-fair but some damned good pizza, (and Buffalo Wings that you would write home about!), and the attitude is one of general laid-back fun.
But it is the music that everyone is here for this night, and it would seem that this evening's crowd was divided into distinctly different groups of fans, as varied from each other as the bands slated to perform.
The first band was a straight-ahead style punk band called Drago. Their crunchy, in-your-face assault is not quite my style of music, but they had a fairly enthusiastic group cheering them on. And they did set the pace for evening fairly well.
Paul and the Strings came on next. Formerly known as the Six String Bullets, they had a boogie-woogie/bluesy-styled punk edge, and I was digging their sound. Very tight and well put together.
The Beantown Boozehounds followed. I had seen these guys before and they had a very well-performed show, tight and cohesive. Fortunately, the Boozehounds' fans no longer practice spitting beer at the band as a sign of support. I found that kind of unsettling the last time I saw them.
The Big Bad Bollocks came on last. The veteran act wasted no time in uniting all of the previous bands’ fans in the room as they jumped into the first numbers of their set, which included primarily songs from their 1999 disc, “Night on the Tiles,” as well as a few traditional Irish songs, punched-up to a more punk-rock crowd-befitting pace. The energy level never slowed, and the Bollocks tended to stay with the upbeat songs in their set to promote this. Unfortunately, lead singer/squeeze-boxer/tin whistler, John Allen never got a chance to break out his whistle tonight, as the band’s set list didn’t seem to be set in stone.
The Big Bad Bollocks have been around for over twenty years, (forming in 1989 and releasing the first of their four CD in 1992,) and the quartet have a definite stage chemistry, as well as a large repertoire of songs to pull from, so to see them live is always a good show. This was no exception.
All of the Bollocks CDs are available from their MySpace page. I personally recommend the Johnny Cunningham-produced Night on the Tiles!
http://www.myspace.com/bigbadbollocks
http://www.myspace.com/beantownboozehounds
http://www.myspace.com/sixstringbullets
http://www.myspace.com/dragoboston
Review by Christopher P. Toler, THE Blathering Gommel
.
.
.
But it is the music that everyone is here for this night, and it would seem that this evening's crowd was divided into distinctly different groups of fans, as varied from each other as the bands slated to perform.
The first band was a straight-ahead style punk band called Drago. Their crunchy, in-your-face assault is not quite my style of music, but they had a fairly enthusiastic group cheering them on. And they did set the pace for evening fairly well.
Paul and the Strings came on next. Formerly known as the Six String Bullets, they had a boogie-woogie/bluesy-styled punk edge, and I was digging their sound. Very tight and well put together.
The Beantown Boozehounds followed. I had seen these guys before and they had a very well-performed show, tight and cohesive. Fortunately, the Boozehounds' fans no longer practice spitting beer at the band as a sign of support. I found that kind of unsettling the last time I saw them.
The Big Bad Bollocks came on last. The veteran act wasted no time in uniting all of the previous bands’ fans in the room as they jumped into the first numbers of their set, which included primarily songs from their 1999 disc, “Night on the Tiles,” as well as a few traditional Irish songs, punched-up to a more punk-rock crowd-befitting pace. The energy level never slowed, and the Bollocks tended to stay with the upbeat songs in their set to promote this. Unfortunately, lead singer/squeeze-boxer/tin whistler, John Allen never got a chance to break out his whistle tonight, as the band’s set list didn’t seem to be set in stone.
The Big Bad Bollocks have been around for over twenty years, (forming in 1989 and releasing the first of their four CD in 1992,) and the quartet have a definite stage chemistry, as well as a large repertoire of songs to pull from, so to see them live is always a good show. This was no exception.
All of the Bollocks CDs are available from their MySpace page. I personally recommend the Johnny Cunningham-produced Night on the Tiles!
http://www.myspace.com/bigbadbollocks
http://www.myspace.com/beantownboozehounds
http://www.myspace.com/sixstringbullets
http://www.myspace.com/dragoboston
Review by Christopher P. Toler, THE Blathering Gommel
.
.
.
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