Showing posts with label Pirate punk. Show all posts
Showing posts with label Pirate punk. Show all posts

Thursday, February 21, 2019

2019-02-21 FREE DOWNLOAD - HIGH SEA LOOTERS "Hcheum" EP (2019)


High Sea Looters hail from Switzerland. The band was originally acoustic (guitars, fiddle and accordion) and then they added a rhythm section.  They released their debut album "The Beginning" in 2016 and after a 2 years hiatus they're back with a new EP.

The songs from the "Hcheum" EP are already on rotation on Celtic Folk Punk Radio.

DOWNLOAD:

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Thursday, October 4, 2018

2018-10-04 VIDEOS - PIRATE COPY, CURLIES, PIPES & PINTS

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Pirate Copy - Reckless Alice
 


Curlies - Každej den



Pipes and Pints - Karma Killer




Thursday, August 16, 2018

2018-08-16 VIDEOS - PIRATE COPY, LA FIESTA DEL DIABLO, CELTAS CORTOS

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Pirate Copy - All Drunks on Deck
 


La Fiesta del Diablo - No existe el fracaso

 


Celtas Cortos - Los dibujos de las nubes

 



 

Thursday, November 23, 2017

2017-11-23 EP REVIEW AND NAME YOUR PRICE DOWNLOAD - BALEYCORN BASTARDS "Hops & Dreams" (2016)

Barleycorn Bastards "Hops & Dreams"
Release date: May 1, 2016
Running time: 13:58, 5 tracks


Barleycorn Bastards are a five piece band hailing from Nijmegen, The Netherlands. The band was established in 2013 and the line-up is Sid (guitar, vocals), Maarten (tin whistle, vocals),  Martin (drums, vocals),  Niels (bass, shouting) and Elmar (banjo, backing vocals). I had never heard of them, but recently the guys from London Celtic Punks posted on their facebook that Barleycorn Bastards were touring England. Then I found that they had released a 5 track EP in 2016. I was really impressed and therefore I decided to write an EP review.

The Barleycorn Bastards EP is titled “Hops & Dreams” and is based on covers. However, the lads have chosen songs that are not overexposed (tracks 2 and 4) or have given a new spin to some well-known standards (tracks 1 and 5).

The first track on the EP is “Nancy Whiskey”. The Barleycorn Bastards' approach reminds me of an Australian band that I reviewed some months ago, Sailors Grave. Apart from that, the tin whistle gets an “in yer face” treatment that reminds me of The Skels.

Some people will be familiar with the next number, “Bully Boys”, as it was featured on the "Robin Hood" movie with Rusell Crowe and ex-Great Big Sea member Alan Doyle plays this song on their brand new album. Electric guitar, banjo and tin whistle will make you enjoy this cut.

The following song, “Banjo Breakdown” is a fast-paced number with yeeha shouts and addictive banjo and tin whistle.

The banjo starts slowly on the shanty “Coast of High Barbary”. But the band goes mental on the second half of the song which is led by a manic tin whistle.

The last song on the album is “All for me Grog”. The banjo intro sounds similar to a song by their fellow countrymen Drunken Dolly, but the song evolves into a Dutch answer to The Skels.

“Hops & Dreams” is available as a Name Your Price download on Bandcamp. Besides, three songs are on rotation on Celtic Folk Punk radio since November 2.


After having listened to this brilliant EP, I’m looking forward to hearing the debut album by these lads.



Track listing

1. Nancy Whiskey 02:09   
2. Bully Boys 02:19   
3. Banjo Breakdown 01:43   
4. Coast of High Barbary 03:49
5. All for me Grog 03:48

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Review by Kinksmarkham






Saturday, July 29, 2017

2017-07-29 ALBUM REVIEW - COCKSWAIN " For the Whiskey" (2017)


Cockswain "For the Whiskey"
Release date: March 6, 2017
Running time: 36:31, 10 tracks

 
Cockswain, the band from Phoenix, Arizona, released their sophomore album just before St. Patrick’s Day. Some minor changes have taken place: Jack Hoole is the new drummer, Evan Fourness plays lead guitar now and Mo Perzan Ryan Woods headed back east for a new chapter in their life. Fortunately, Mo and Ryan have guested on some tracks.

Even if Cockswain are not from Boston, Chicago or New York, it’s obvious that they are an Irish American band. Influences from top Celtic punk bands can be noticed on their songs, but they have their own identity and sound. Neil Jay Ward (lead vocals, guitar, bouzouki and mandolin) is a great lyricist and all the members write the music. So, “For the Whiskey” is based on self-penned songs and only two covers can be found.

Which are the album highlights? I would pick up tracks 1, 3, 5 and 10. The title track “For the Whiskey” is an upbeat number with powerful backing vocals and an infectious chorus. Mo guests on accordion and Amanda Lubking shines on the fiddle tune. The lively number “Cursed” features Mo on tin whistle. The song has a slight The Mahones touch and the band is really tight. The mix is quite good, as every single instrument can be easily heard. Neil and the boys do a great job on vocals and banjo and fiddle lead the melody. Mo sings lead vocals on “Come Have a Drink with Me”. The song kicks off with the boys singing the drunken chorus and then Wake on banjo and Mo on vocals join in. There is a banjo passage in the middle and then the main theme follows. Kick-ass Celtic punk number with a traditional flavor. The closing cut, “Whiskey, Love and War” is American Irish music at its best. The classic banjo led approach is used in this amazing song that can be filed together with Flogging Molly and Bastard Bearded Irishmen stuff.

“Johnny Be Fair” is a song written by Canadian singer Buffy Sainte-Marie. The folkie lyrics are really funny. Cockswain have re-arranged the song. Jack Hoole on drums and Wake on banjo create atmosphere. Amanda sings the daughter’s lead vocals while Mo sings the mother’s final verse. “Paddy is a Loose Cannon” has a Dropkick Murphys infused intro. Banjo and fiddle back Neil’s raw vocals about Paddy. Cockswain move to a quieter end on “When I Die”. Wake plays harmonica and Neil sings with acoustic guitar. More instruments are added and the song evolves in a way that I would define as a cross between The Whisky Priests and The Tossers. What about “Dark Angel”? Neil showcases his love for Shane MacGowan’s songwriting on this “obscure” The Pogues inspired track.

Cockswain come back to their seafaring territory with “Doriza”. The song is pushed by the wind: calm, storm, calm. “Dirty Old Town” is the second cover on the album. Interesting fiddle arrangements and the bass sound are the band’s addition to the Ewan MacColl’s classic song.

“For the Whiskey” is packed on a jewel case with a 6 page booklet. If you want to sing along, all of the lyrics are printed, together with a lot of information: line-up, guests, studio credits, band’s links and picture credits. The back cover band picture was taken once again by Marlow Sharpe, while the front cover picture was shot by banjoist Wake Lubking. That’s what he said about the photo: “It’s a pretty obscure picture on purpose and it’s a picture of a drink glasses being made in a glass factory in Prague.  I visited this factory a few years ago (…) and the factory supplies beer and drink glasses to a huge number of pubs and bars in Europe.  I thought it was fitting since the title of the album is “For the Whiskey”.”

It’s obvious that Cockswain members trust their friends. Not only have they used a pic by Marlow Sharpe for the rear cover, but they have recorded, mixed and mastered “For the Whiskey” at Full Well Recording Studio in Phoenix with producer Mike Bolenbach. The final result is spotless. Even if it’s a studio recording, he’s been able to capture the band’s live energy.

In 2017 the focus is placed on the albums released by the heavyweights of the genre: Dropkick Murphys, The Real McKenzies, The Tossers, Flogging Molly … However, there are a bunch of bands out there that are delivering honest albums that are worth hearing. Cockswain “For the Whiskey” is one of those CDs.




Track listing:

01. For the Whiskey 3:35   
02. Paddy Is a Loose Cannon 3:19   
03. Cursed 3:00
04. When I Die 3:25
05. Come Have a Drink with Me 3:14
06. Dark Angel 4:25   
07. Dirty Old Town 3:38   
08. Doriza 5:03
09. Johnny Be Fair 1:59   
10. Whiskey, Love, and War 4:53

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Review by Kinksmarkham




Some live videos. Sound quality may vary.













Friday, March 10, 2017

2017-03-10 EP REVIEW - THE McMINERS "Tales of Betrayal and Deceit" (2017)

McMiners "Tales of Bretrayal and Deceit" (2017)
Release date: March 10, 2017
Running time: 19:03, 5 tracks


McMiners are a band from the burgeoning Brazilian Celtic punk scene. They hail from Belo Horizonte, Minas Gerais (hence their name). They released their first EP in 2016, “County Cross” and now they have just issued the second one, “Tales of Betrayal and Deceit”. If their previous work has some interesting ideas, their new offering is a big leap forward.

“Tales of Betrayal and Deceit” kicks off with “No Deal”, a bagpipes driven instrumental and the perfect EP opener.

Track no. 2, "Left Behind",  has a folk metal touch with powerful backing vocals and great accordion and fiddle.

“Behead the Captain” is the single (video HERE)  and one of the highlights. The accordion sound links this song to their fellow countrymen Lugh, but the vocals and the pipes make me think of Brutus’ Daughters, although they are boys instead of girls.

The next cut is titled “A Prologue - The Jack and The Black”. It starts with a spoken intro by Irish born guest Karl Mooney from The Celtas Ride Again, backed by acoustic guitar. After 1 minute and 46 seconds the song turns into a pirate metal number.

The closing track is the instrumental “The Clauss”. "This song was improvised by Ernst Clauss, former McMiners accordionist, before an event in 2016. The final part of the song is the original recording from that day." Two bodhráns are played, the "base" by front man Gabriel Leao and the "solo" by Rafael Salobreña and Ernst and Luciano join on accordion and tin whistle. Brilliant!!!

“Tales of Betrayal and Deceit” comes in a jewel case with an eight page booklet including the lyrics to the songs, line-up and guests, studio credits and pics.

Brazil is a huge country and even if the Celtic punk/rock scene is not so big in terms of bands, there are quite a few top-notch acts. Fortunately, McMiners have been able to find their own place and their own sound with their second EP “Tales of Betrayal and Deceit”

Track listing:

1 - No Deal 2:19
2 - Left Behind 3:58
3 - Behead the Captain 3:07
4 - A Prologue - The Jack and The Black 6:35
5 - The Clauss 2:54

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Contact the band to buy the CD

Review by Kinksmarkham




Wednesday, August 17, 2016

2016-08-17 VIDEO AND FREE DOWNLOAD - MAD MAN'S CREW "Way to Go"

Mad Man's Crew is a kick-ass band from Veszprém (Hungary) that plays loud folk-punk Rock&Roll. The songs from their demo are regularly played at Celtic Folk Punk radio. They have a video for "Way to Go" and lyrics videos for all of the songs from their demo. Besides, the link to their demo is on their Facebook page too.

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Mad Man's Crew - Way to Go (X-Faktor Edition)



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Thursday, July 28, 2016

2016-07-28 VIDEO - HIGH SEA LOOTERS "The Beginning"

High Sea Looters video for "The Beginning".


 

2016-07-28 FREE DOWNLOAD: HIGH SEA LOOTERS "The Beginning"

In the age of Google everything can be found. However, there is not enough info about High Sea Looters. Their debut album "The Beginning" is available for free/Name Your Price on Bandcamp and they have an official  video for "The Beginning", but they don't have Facebook/Twitter pages.

Apparently they hail from Chambéry (Savoie, France) and have played at least two gigs, one in Grenoble (France) and another one in Biel/Bienne (Switzerland).

Any further information about the band would be appreciated.

DOWNLOAD (Name Your Price):

Bandcamp
 


 
 

 

Saturday, July 9, 2016

2016-07-09 VIDEO - BARBAR'O'RHUM "La République Pirate"

Barbar'O'Rhum lyrics video for "La Republique Pirate", off their debut album "Toutes les Routes Mènent au Rhum". It's a song about the Pirate Republic established at Nassau at the beginning of the XVIIth century.

Barbar'O'Rhum - La République Pirate

















Tuesday, March 8, 2016

2016-03-08 FREE DOWNLOAD - THE JACK RATTS "Mothers Ruin"

The Jack Ratts second album "Mothers Ruin" can be downloaded for free from Soundcloud. Go ahead and download the tracks while the free download is available.

The band called its quits last December. Banjoist and accordionist Fabian is releasing his solo debut album "Tarheel" for tour.

Fabian Maddison is a well travelled and experienced musician, first taking to the stage at the age of 16, he has since gone to front a string of bands from straight out raucous punk to soothing folk.

Recently building his experience of festivals and gigs with The Jack Ratts and The Maddison Tarheels he is now taking to the stage as a solo artist.

Be prepared to be inspired as this young man gives a spectacular performance of traditional American old time and bluegrass, the message of which still bares as much relevance as ever in our modern society.

31st March@Hydra books, Bristol
1st April@The Lugger, Chickerell
2nd April@The Four Horsemen, Bournemouth
3rd April@The Taphouse, Wimbourne
4th April@Venue tbc, Basingstoke
6th April@ Poco Locco, Chatham
7th April@House show, Amiens
8th april@ Bar Bon tempi, Nancy
9th april@ Lambooijhuis,Hengelo
10th april@ House show, Gent
11th april@ The Rocker, Mechelen
12th april@ cafe camelot, Nijmegen
13th april@ Multiversum, Offenbach
14th april@ Waggon, Offenbach
15th april@ House show, Frankfurt
16th april@ veränderbar, Dresden
17th april@The Cave, Amsterdam

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Saturday, January 16, 2016

REVIEW - THE JACK RATTS "Mothers Ruin" (2015)

The Jack Ratts "Mothers Ruin" Head Snot Records - Pumpkin Records PUM106
Release date: December 5th,  2015
Running time: 26:54, 10 tracks

Good news! The Jack Ratts are back with their sophomore album “Mothers Ruin”. The six piece band from Bournemouth (Dorset) released one of the most interesting debut albums in 2013. In fact, they made no. 18 at our Best of 2013 list  thanks to their well-balanced mix of Celtic punk, polka, shanties and Appalachian songs. If their debut album consisted of 7 traditional numbers and 9 self-penned songs, only original stuff can be heard on “Mothers Ruin”. Hats-off to you guys!

The mini-album kicks off with an instrumental “Intro” that sounds like The Pogues on the “Straight to Hell” OST. Soon it bursts into an Eastern European folk sounding number called “Johnny O”. And then some of the best moments on the album arrive: the catchy Celtic punk number “The Fight”, the amazing “Molly Magee”, a cross between The Fatty Farmers and The Whisky Priests,  and the pirate anthem “Not the Life” with their gang vocals and the band’s rendition of the “Morrison’s” jig.

There are also some British folk punk influences numbers that the fans will love. “Old England” and “Dirty Streets” are brilliant numbers with a Pressgang twist and “Mothers Ruin” could be filed together with The Men They Couldn’t Hang “Hellfire and Damnation”. Obviously a shanty is needed on a Jack Ratts CD: “Darkened Shore” is the perfect number, and the lads have really worked hard on the vocals, percussion and mandola sounds. And finally, Jack Ratts give Smokey Bastard a run for their money with their infectious number “Skint”.

“Mothers Ruin” comes in a sleeve and no lyrics to the sounds are provided. The album was recorded at Ranch Productions in Southampton and has been released by HeadSnot Records and Pumpkin Records. A live version of “Molly McGee” can be downloaded from the band’s Reverbnation site (The song was recorded at a ‘Hijack’ show on Weymouth & Portlands community AIR 107.2 FM radio station on Wednesday 15th January 2014). You can also listen to track no. 10 “Skint” on YouTube.

Bad news!!!! The “Mothers Ruin” mini album is The Jack Ratts swan song, as they have decided to call it quits. I will miss them, since IMHO they had great potential and “Mothers Ruin” is a considerable step forward from their fantastic debut album.



Tracklist:

01 - Intro 1:26
02 - Johnny O 3:10
03 - The Fight 1:59
04 - Molly Magee 2:45
05 - Not the Life 2:45
06 - Old England 2:56
07 - Darkened Shore 2:35
08 - Mothers Ruin 3:06
09 - Dirty Streets 2:42
10 - Skint 3:31


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Contact the band to buy the CD

Review by Kinksmarkham



Monday, September 28, 2015

VIDEO - COCKSWAIN "Hanged Man / Gods Have No Graves" (Live)

Cockswain performing "Hanged Man" and "Gods Have No Graves" at Pho Cao on 9/12/15.


Thursday, May 7, 2015

VIDEO - PIRATE COPY "Goin' Down a Storm"

Pirate Copy have a new video, "Goin' Down a Storm", off their new EP "Goin' Down a Storm". You can listen to the three track EP from Bandcamp.







Sunday, March 8, 2015

FREE DOWNLOAD - T.C. COSTELLO "Mistakes" (2010)

T.C. Costello's debut album "Mistakes" can be downloaded from Bandcamp (Name Your Price).

DOWNLOAD:

Bandcamp



Saturday, March 7, 2015

REVIEW - T.C.COSTELLO "100 Years Ago"

T.C. Costello "100 Years Ago"
Release date: February 7, 2015
Running time: 38:10, 17 tracks


T.C. Costello is an accordionist from Greenville, South Carolina, USA. “100 Years Ago” is not his debut album, but the fourth one. Based on the traditional shanty “100 Years Ago”, T.C. has written a 17 track album on which he plays the following instruments (apart from the accordion): hulusi, tin whistle, toy piano, balalaika, banjo, xaphoon (an instrument from the 1920’s), guitar, a bouzouki modified to sound like a sitar, piano, khaen (the national folk instrument of Laos), marxophone and ocarina. There are some guests on background vocals only: Quark Lepton and Rebecca Davis.

The opening track is titled “100 Years Ago / When I Get Back to Liverpool”. The approach reminds me of the English rogue folk band Pressgang, because of the accordion and the circus twist. It’s followed by a song with an Eastern European sound, “The Earth Shall Not Be Moved”. Track no. 3 is one of the album highlights, “The Tarantula”. This song features accordion and tin whistle and it’s an Italian tarantella written by Tim.

There are several songs before arriving to the second “100 Years Ago” take. “Field Recording from Bear Island” is an instrumental and “The Drunkard’s Progress” features balalaika, but it makes me think of Peruvian folk.  The “100 Years Ago” second offering gets a hindu treatment, so I guess that Tim played the modified bouzouki on this track.

The next “100 Years Ago” is track no, 10, but there are a couple of Russian girls songs before it. My fave is “The Girl from Arbat Street” an upbeat number. Track no. 11 is called “The Peace We Will Never See” and it’s an interesting klezmer song.

Following the artist’s words, the next two songs are probably the most Celtic punk infused numbers on “100 Years Ago”. “Every Day I Die, I Go to Hell and I Come Back” is a fantastic fast-paced song featuring accordion and tin whistle. Those instruments can be heard on “Grace O’Malley” too, a The Pogues from the “Rum Sodomy & The Lash” era infused song.

Another “100 Years Ago” and two more tracks and the album is over. Not really, since there is a 17th track called “Credits”: Tim sings all the thank yous while he plays his accordion and, when he has finished up, he plays a secret track.

“100 Years Ago” has been mastered by Sean Tompson. The digital album can be purchased from T.C.Costello’s Bandcamp page. The artwork is quite simple, in black and white, and the credits are stated at the back. Every song on the album was a part of 2014’s Deadline Riot project. If you click on the songs titles below, you’ll go to the lyrics and liner notes page for that particular song.

T.C. Costello is not your usual folk punk artist, but he deserves to be heard. Well done Tim.

Check out the review by our friends from London Celtic punks

Tracklist:

01 - 100 Years Ago/When I Get Back to Liverpool 02:05
02 - The Earth Shall Not Be Moved 02:14
03 - The Tarantula 02:26
04 - The Lonely Polar Bear Cub of Bear Island 03:56
05 - Field Recording from Bear Island 01:06
06 - The Drunkard's Progress 02:35
07 - 100 Years Ago 00:21
08 - The Girl from Arbat Street 02:51
09 - The Girl from Kazan 03:14
10 - 100 Years Ago 00:14
11 - The Peace We Will Never See 02:22
12 - Every Day I Die, I Go to Hell and I Come Back 01:51
13 - Grace O'Malley 02:31
14 - 100 Years Ago 00:15
15 - A Gentleman of the Most Unsavory Sort 02:14
16 - Pure at Heart 00:52
17 - Credits 06:32

T.C.Costello blog at Deadline Riot
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Review by Kinksmarkham


Sunday, February 22, 2015

VIDEO - LOCHNESZ "The Cape of Good Hope"

LochNesz have released a new video for "The Cape of Good Hope" together with their new EP "Leave the Captain Behind".

LochNesz - The Cape of Good Hope


Thursday, February 19, 2015

FREE DOWNLOAD - LOCHNESZ "Leave the Captain Behind " EP (2015)

The Hungarian band LochNesz have just released their new EP, "Leave the Captain Behind".

DOWNLOAD:





Sunday, September 21, 2014

REVIEW - THE SUNDAY PUNCHERS Self-titled debut (2014)



The Sunday Punchers "Self-titled", self-released (2014)
Release date: 9 August 2014
Running time: 45:14, 13 tracks

Which are South African main icons apart from Nelson Mandela? Maybe the Big Five at Kruger National Park (the buffalo, the elephant, the leopard, the lion and the rhino) and the Springboks (South African national rugby team). And what do The Sunday Punchers have in common with them (apart from being South African, of course)? Perhaps the wild attitude on their sound and the fact that they can compete with their Aussie, English, French, Irish, Scottish and Welsh counterparts.

After having released in 2013 a two track single with new material and a compilation putting together their previous material, the band from Gauteng has finally released their proper debut album. The CD includes 6 classic songs from their repertoire, 6 new self-penned songs and a cover of Dropkick Murphys “I’m Shipping Up to Boston”. The classics are new recordings of “Whalefishers” (Salt Lake Whalefishers cover), “Guinness”, “Whiskey” and “Exile of a Broken Man” and the single “Golden Sun”/”Sea Monsters”. The new songs are titled “Graveyard Swagger”, “March of the Drunkards”, “Ol’ Dear Laddy”, “Away from Myself”, “Hoist Thy Colours” and “Dragon’s Lair”.

The album has all the elements that define the band’s sound: sea songs and booze numbers,  lion roaring vocals by Mostert, addictive banjo picking by Shaun and kick-ass accordion by Hewie. But the main difference with old recordings is the guitar work by Mike on the production and final mix. The song where this is clearer is “Hoist thy Colours”.

From the very beginning The Sunday Punchers get the listener’s attention with the catchy “Graveyard Swagger”. “Guinness” keeps on being a highlight on the band’s catalogue. “Whiskey” will make you sing-along together with the drunken gang. “Dear Ol’ Laddy” is a dancing pisstake with more drunken vocals. And “Shipping Up to Boston” is faithful to the original.

However,  the new numbers showcase a different end of the band that was already present on “Sea Monsters” and “Golden Sun”  (love this song and the female vocals by Bianca Henning ). For instance, the aforementioned “Hoist thy Colours”, but also the mid-tempo “Away from Myself”, and the bagpipes punk tune “Dragon’s Lair”

Unexpectedly, The Sunday Punchers have recently decided to call it a day due to musical differences. Anyway, I’m borrowing  Mensi’s words from 1983 when Angelic Upstarts broke-up:  don’t think that you’ve seen the last of The Sunday Punchers, they shall return. In what shape or form they haven’t decided yet. In the meanwhile, grab a copy of the band’s testament before it becomes a sought-after item at e-bay, since it’s an essential album to understand the globalization of the Celtic punk scene.






Tracklist:

01 - Graveyard Swagger 3:01
02 - Whale Fishers 3:27
03 - Guinness 3:36
04 - March of the Drunkards 2:54
05 - Whiskey 2:52
06 - Ol' Dear Laddy 3:41
07 - Away From Myself 3:39
08 - Golden Sun (feat Bianca Henning, vocals) 4:11
09 - Shipping Up to Boston 2:42
10 - Exile of a Broken Man 3:21
11 - Hoist Thy Colors 4:47
12 - Sea Monsters 3:21
13 - Dargon's Lair (feat. Bruce Missing, pipes) 3:41

Website
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Interview on Celtic Life International


Click to buy

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Or e-mail the band to get a hard copy:

shaun@simbiot.co.za

Review by Kinksmarkham



Wednesday, July 16, 2014

REVIEW - ROBBING VIKES ' We are "PIRATES" ' (2014)





Robbing Vikes - 'We are "PIRATES" ' Minatomachi Records MMR-003
Release date: June 11th, 2014
Running time:16:00, 5 tracks


Japan has a vibrant Celtic/folk punk scene. Unfortunately, most of the bands break-up or, even if they are still alive, we don’t hear of them again. The only exception would be The Cherry Coke$, which are really a prolific band. We must feel happy now, since there is a new gem hailing from Japan: Robbing Vikes. These guys have just released a fecking brilliant EP whose sound is based on the mandolin, perfectly backed by the electric instruments and, sometimes, by the tin whistle. Although there are some Dropkick Murphys elements on some of their songs, Robbing Vikes are not the usual wannabe band. In fact, they are neither influenced by DKM, nor by Flogging Molly. And, to tell you the truth, this is a big compliment to them.

The Japanese pirates have recorded 5 self-penned top-notch songs.  On “Battle Field”, the opening track, the mandolin, tin whistle, guitar and gang vocals are really amazing. But the next song is even better, the fantastic “Captain Frogger”, where the guys give Flatfoot 56 a run for their money. I love the mandolin sound, similar to the songs that Asturian band The Cilvrnigans have released so far. Robbing Vikes don’t slow down in track no. 3, “Let’s Get Drunk”, which is a festive song that Paddy and The Rats fans will enjoy. The tin whistle is heard again on “Oretachi no utopia”. Finally, Robbing Vikes show us
on “Umi! Sake! Onna! Kurau!!!” that they can become a sort of Japanese Bastards on Parade (without pipes, obviously) .

Robbing Vikes 'We are “PIRATES” ' EP is a great discovery. Try to grab a copy, since this will make the Top5 EPs of the year.


Tracklist:

1 - Battle Field
2 - Captain Frogger
3 - Let's Get Drunk
4 - Oretachi no utopia
5 - Umi! Sake! Onna! Kurau!!!

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Click to buy:

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Diskunion Japan
HMV Japan
Tower Records Japan

Review by Kinksmarkham



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