Flogging Molly "Life is Good" Vanguard VAN00111
Release date: June 2, 2017
Running time: 44:23, 12 tracks
Sometimes we, the fans, are vampires for our favourite artists. We love a couple of albums and then we don’t want them to evolve. So, if they try something new, we turn our backs on them: their blood doesn’t feed us anymore. Flogging Molly are one of the gods on the Celtic punk Olympus. “Alive behind the Green Door”, “Swagger” and “Drunken Lullabies” helped to establish the genre. The band extended the scope of their music with “Within a Mile from Home” and “Float”. But “Speed of Darkness” was a huge change and a lot of fans, me included, didn’t appreciate that album.
Some years have gone by and I’m not going to have a retrospective look on “Speed of Darkness”. IMHO, Flogging Molly are the best live band in the Celtic punk genre (sorry Murphys), and therefore their “studio” sins can be forgiven.
The band from LA chose to come back to Ireland to record their latest album. “Life is Good” was recorded at Grouse Lodge Studios in Co. Westmeath. These are the same studios at which “Float” was recorded. Apparently, Dave and the rest of the band wanted to recover the spirit of those sessions. I daresay that they succeeded, as “Life is Good” moves back from “Speed of Darkness” and the final balance is similar to that of “Float”.
As a fan loving the band’s early days, I’ve enjoyed particularly ”The Hand of John L. Sullivan”. This brilliant number is the closest song to the band’s Golden Age. But there are other kick ass songs. For instance “Welcome to Adamstown”, a song featuring Keith Douglas and Brad Magers from Mariachi El Bronx on trumpet. Or other cuts with a more mature sound. For instance, “Crushed (Hostile Nations)”. This number has a fantastic traditional sounding intro thanks to guest Neillidh Mulligan on uileann pipes, but the song evolves into something modern and really attractive. And “The Guns of Jericho”, where Dave does a great job on vocals.
Apart from those standout tracks, other numbers have a traditional/folkier feeling that makes them enjoyable songs. The arrangements and the performance are class on the opening number “There’s Nothing Left Part I”, on “Hope”, on “The Bride Wore Black” and on the closing track “Until We Meet Again”.
“Life is Good” won’t be maybe the album of the year, but it’s clearly a Top10 album and the comeback that all the fans were waiting for.
Track listing:
01 - There's Nothing Left Pt. 1 2:24
02 - The Hand of John L. Sullivan 4:01
03 - Welcome to Adamstown 3:05
04 - Reptiles (We Woke Up) 3:43
05 - The Days We've Yet to Meet 3:42
06 - Life Is Good 4:02
07 - The Last Serenade (Sailors and Fishermen) 4:24
08 - The Guns of Jericho 4:16
09 - Crushed (Hostile Nations) 4:22
10 - Hope 3:27
11 - The Bride Wore Black 2:59
12 - Until We Meet Again 3:55
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Click to buy:
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Review by Kinksmarkham
Release date: June 2, 2017
Running time: 44:23, 12 tracks
Sometimes we, the fans, are vampires for our favourite artists. We love a couple of albums and then we don’t want them to evolve. So, if they try something new, we turn our backs on them: their blood doesn’t feed us anymore. Flogging Molly are one of the gods on the Celtic punk Olympus. “Alive behind the Green Door”, “Swagger” and “Drunken Lullabies” helped to establish the genre. The band extended the scope of their music with “Within a Mile from Home” and “Float”. But “Speed of Darkness” was a huge change and a lot of fans, me included, didn’t appreciate that album.
Some years have gone by and I’m not going to have a retrospective look on “Speed of Darkness”. IMHO, Flogging Molly are the best live band in the Celtic punk genre (sorry Murphys), and therefore their “studio” sins can be forgiven.
The band from LA chose to come back to Ireland to record their latest album. “Life is Good” was recorded at Grouse Lodge Studios in Co. Westmeath. These are the same studios at which “Float” was recorded. Apparently, Dave and the rest of the band wanted to recover the spirit of those sessions. I daresay that they succeeded, as “Life is Good” moves back from “Speed of Darkness” and the final balance is similar to that of “Float”.
As a fan loving the band’s early days, I’ve enjoyed particularly ”The Hand of John L. Sullivan”. This brilliant number is the closest song to the band’s Golden Age. But there are other kick ass songs. For instance “Welcome to Adamstown”, a song featuring Keith Douglas and Brad Magers from Mariachi El Bronx on trumpet. Or other cuts with a more mature sound. For instance, “Crushed (Hostile Nations)”. This number has a fantastic traditional sounding intro thanks to guest Neillidh Mulligan on uileann pipes, but the song evolves into something modern and really attractive. And “The Guns of Jericho”, where Dave does a great job on vocals.
Apart from those standout tracks, other numbers have a traditional/folkier feeling that makes them enjoyable songs. The arrangements and the performance are class on the opening number “There’s Nothing Left Part I”, on “Hope”, on “The Bride Wore Black” and on the closing track “Until We Meet Again”.
“Life is Good” won’t be maybe the album of the year, but it’s clearly a Top10 album and the comeback that all the fans were waiting for.
01 - There's Nothing Left Pt. 1 2:24
02 - The Hand of John L. Sullivan 4:01
03 - Welcome to Adamstown 3:05
04 - Reptiles (We Woke Up) 3:43
05 - The Days We've Yet to Meet 3:42
06 - Life Is Good 4:02
07 - The Last Serenade (Sailors and Fishermen) 4:24
08 - The Guns of Jericho 4:16
09 - Crushed (Hostile Nations) 4:22
10 - Hope 3:27
11 - The Bride Wore Black 2:59
12 - Until We Meet Again 3:55
Website
Click to buy:
Amazon
iTunes
Review by Kinksmarkham
I agree. I promptly shelved Speed of Darkness when it came out, tried again a couple of years later and it was still unlistenable. The band tried to address worthy political goals in their lyrical content, and lost all musicality in the process. Life is Good is like a missing link between the boozy Drunken Lullabies and the mature Float, and it's pretty great.
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